From then I would paint the subject matter by layers with fluorescent-based hues to create the 3D effect. This makes an interesting base with conscious abstract values. Some paints are glossy, some matte, and some are more reactive to light. This is the most spontaneous part of my process, as I splatter and drip colors of various medium to achieve contrast in texture. I start by painting the background colors first. In the darkness / we make love / Black Magic the promise the premise the endless the scene we travel / On to arrive at the very beginning of where we started / Journeying onward into the black and deeper into shadow / Life will bring trust / It will bring and install the memory you unravel *inspired by Jose James' "Black Magic" ![]() ![]() Although I can't explain from a scientific point of view, I can explain how technically it can be achieved. In recent shows many have inquired how I free-hand the 3D effect on my paintings.
0 Comments
Leave a Reply. |